The source of the 'New Wave' of Australian writing for the stage, along with the Nimrod Theatre Co. in Sydney, the Australian Performing Group (APG) began at the La Mama Theatre in Carlton in 1968 and was disbanded in 1981. In 1970 the APG moved to an old industrial site in Drummond Street, subsequently called the Pram Factory, and there developed as a collective of writers, actors, directors and designers committed to Australian plays. Their work was characterised by irreverence, broad comedy, energetic physicality, explicitly left-leaning politics and a determination to develop a distinctively Australian theatre in contrast to the predominantly Anglo-Celtic respectable mainstream theatre of the time. Its members and many of its audience members were from the University of Melbourne and Monash University, politically active in anti-Vietnam protests and challenging censorship laws in many of their productions. Writers such as Jack Hibberd, John Romeril, David Williamson, and actors Max Gillies, Lindy Davies, Peter Cummins and Bruce Spence, began their careers as members of the APG. Although conceiving of themselves as radical and iconoclastic, familiar Australian themes persisted in the APG's larrikin humour, music-hall stylistic exaggerations and national and largely masculinist stereotypes, including the 'ocker'.